Monday, December 31, 2007

Almost back from Holidays



I had a fantastic time at home this year for Christmas sledding, hiking in snow and catching up with my family. While I'm not back in my studio I'll be back at my part-time job this week painting more mammoths and wishing that the holidays could have been savoured just that little bit more.

Now that all of my Christmas commissions have been opened I can post one more. This one was of someone's two cats... so interesting that I did two cat portraits in one year! The other one, sadly, I gave away in such a rush that I did not make the time photograph it (this is just another thing to add to my personal list of "what was I thinking"?). I invited a friends wife into my studio and completed a series of figure drawing style portraits of her. Perhaps it is best that these portraits will remain personal to this family as I do not need them for my portfolio anyway.



Friday, December 21, 2007

A Christmas Commision

Here's another plywood painting that I completed and it's process (for greater detail click on each picture).


1• Create a confident drawing that will show you how to create your gradients and values (based on a greyscale drawing). Get it approved by your client.

2•For a painting where the texture is important, choose your canvas wisley. I pulled about a round dozen sheets of pokey plywood off the hardware stores shelves before I found just the right "chunk" for this image. Tell the person who cuts out your block of plywood that it's for art and yes, you know canvases are cheap down at the local art store...!

3• Protect Your Painting before it's even started. Give it several good (thick) coatings of Multi Purpose Acylic Polymer so that weird chemicals don't leak into the painting over the years destroying the values you create. THEN! Protect your paint (it doesn't come cheap after all...) by Gessoing your surface. This will give your paint an extra "grip" or "mile" so that you don't have to layer it on really thick. I paint my gesso on in several layers in different directions so that the brush strokes aren't going to create a distracting pattern. Thing to Remember: Your brush strokes on every layer of every painting can help aid your composition!

5• Block in Dark Colours.


6• Think Details and Light. The concept is to have your darker colours in the "Valley" part of the plywood ridges and the light colours on the "peaks". This will really make the texture pop. For details do what you normally do, fill in the valleys and peaks with similar values.

Thursday, December 20, 2007

Merry Christmas Everyone!

A great big thank you to everyone (friends, family, clients... and of course fellow bloggers!) for making this year so fabulous! Merry Christmas and a Happy New Year. I'll be taking a needed break from the computer world in general so see you in early 2008!


Here's a sneak peak into the "secret studio"...
I tried my hand at carving (my hand wishes I was a more careful carver but I suspect this will come with time)



and I made some ornaments for my family...

I've been creating paintings for the Royal Alberta Museum's Christmas Card collection (for the next five years you might see my work.)

While there's still many secret goings on in my studio there's one thing I can tell you: I'll be at the Guerilla Boutique this Saturday from 1-8pm at the Artery downtown Edmonton, Alberta. It's on 9535-Jasper Ave.

Wednesday, December 12, 2007

More of Moe

Here's what I've been up to lately at my part time job at the Royal Alberta Museum (it's often a great way to enhance your job to inject a bit of illustration into your graphic design jobs).

note: The ad with the kids is going to change up a bit in regards to the wording so it's just the kids for you to see right now.


This Friday's Edmonton Journal Ad:


Next Friday's Edmonton Journal Ad:


New Years Ad (in progress):

Sunday, December 09, 2007

Many little Secret Things...

I've been itching to tell you about the many secret goings on in my studio... but alas, most must wait until after Christmas (you'll see why once I've posted them). It appears that I've been slacking on the illustration side of my life, however, you'll be pleasantly surprised afterwards by the hoard of crazy images I'm going to post in the new year that I'm hard at work on right now!...

However, I shall give you a few little images to keep you interested (rather than the dull "I'll be here or there peddling my goodies" posts I've been plaguing you with)... I worked the Guerilla Boutique this weekend and as the weather was rather horrid there weren't many shoppers. This left me with loads of time to create wonderful original drawings on my brown shopping bags while I was there (not to mention I traded some goodies for a fantastic necklace!).


Illustration Friday: Little Things


This is from a children's book I worked on this year called Gramma GoGo & the Dustball Fairies... the ladies face in the background is the author, Georgina Prockiw who is an amazing woman. Gramma GoGo is a minaturist who creates dollhouses and dolls and one day discovers two dustball fairies eatting cherry pie in her dollhouse...

Tuesday, December 04, 2007

I've been tagged

My friend Mike R Baker has tagged me for the “5 things” about myself... and I'm happy to share the information. Thanks for the tag Mike!

1. My first dream career was to become an elasmobranchologist (basically a shark scientist). I have since snorkelled with sharks and plan to one day complete a series of shark paintings for a show.

2. I own a cow and a calf (her name is Emily), one cat and five goldfish.

3. My very first paid illustration was of a worm (who's name was Bailey).

4. I'm left handed.

5. My first oil painting looked like a mud pie (not on purpose). I painted it three years ago and was too frustrated to let it dry. I still have a full set of oil paints that are barely used. If someone really wants them they should stop by my studio and I'll give them to you for free. I'm cursed with inpatience...

I’m tagging michelle mcbride (miss dishy), heather castles, anette heiberg, elisa chavarri and Amanda Woodward! Each of these women are fantastic illustrators so check them out!

The rules:
1. Link to your tagger and post these rules on your blog.
2. Share 5 facts about yourself on your blog, some random, some weird.
3. Tag 5 people at the end of your post by leaving their names as well as links to their blogs.
4. Let them know they are tagged by leaving a comment on their blog.

Friday, November 30, 2007

An Ethical Card Company is born!


I forgot to pass on the news that I recently sold a hand-full of card designs to a brand new company called Blue Turtle Greetings(My designs are the first four on the homepage). It's truly a company with every bit of their heart in the right place. The owner is very environmentally conscious and I swear has a heart of solid gold. This is what the owner (Sandy) writes:

"Blue Turtle Greetings is a company committed to sound environmental practices, product quality and the values of peace, love & good fortune. All of our products are printed on Recycled Paper. All papers are processed clorine free and acid free. Paper suppliers commit to responsible forestry practices.Our products are manufactured in countries that abide with fair labor practices. We will not produce our products at a lower cost when it means a cost to Humanity."

I'm so so proud that there are companies are out there willing to take all of these steps in order to better our planet and human conditions around the planet. I know it takes months of hard work researching to find companies that fit the profiles above.

Good Luck Sandy and I hope to work with you for many years.
***image/logo © blue turtle greeings 2007***

Thursday, November 29, 2007

Tid Bits

My work is featured in this month's issue of Mosaic Magazine (I believe I have four pieces in it) and when I finally located a bunch of copies I was stunned at the quality. Thanks Connie!

Also I have a few cards for sale at the Paint Spot on 124th Street (Christmas Cards). If you decide to check out this little art store branch (the bigger one is on Whyte Ave) you'll positively drool over the beautiful new moleskins they have (they're coloured!).

happy holidays.

Monday, November 26, 2007

Royal Bison Craft and Arts Fair


The countdown is on for Christmas! I'm growing more and more excited about being a part of the local & handmade business's that exist in our community. It's such a positive place to shop for Christmas presents. Support a local artist and share the skills and talents of your local community with those who would never think to shop in such places. It's a tremendous circle of support and I just can't thank my customers enough.

Here's the scoop:
Royal Bison Craft & Art Fair
DEC 1-2
10am - 5pm
8426 - Gateway Blvd
(Cosmopolitan Music Society Building)
FEE: $2 each (little kids get in free)
Locally made: Jewelry, Magazines, Books, Art, Music, Photography, Amps, Soaps, Accessories, Posters and more.

Here's some fabulous people who will be joining me at the fair:
Raymond Biesinger (organizer of event and illustrator/image maker king)
Amanda Woodward (usual occupation is illustrator, however, I believe she's bringing some funky ornaments to the show...)
Michelle McBride (aka Miss Dishy, the creator of those oh so pretty magnet sets, plushies, and more)
and will be sharing a table with
Miss Sarah Jackson (those wee little jam books that are all the rage these days!)
Acorn Studios (those fabulous earrings I've been wearing lately!!... and the owner is so earth friendly it's nutts, in a good way)

Friday, November 23, 2007

Illustration Friday: The Zoo


moose, originally uploaded by crystal driedger.

Here's a little sketch of something quite Canadian (in some sort of iconic way anyway)! Although I've never seen a moose in the zoo I have seen many in the wild, which is really where they belong anyway.

Thursday, November 22, 2007

Sketching with a friend


Here's a little doodle I did last night when I met with a friend to sketch. Everyone, in my opinon, needs a sketching buddy!

Sunday, November 18, 2007

Thank you!

I just wanted to thank everyone involved in the Stop & Shop Arts and Craft fair. It was a divine pleasure to work alongside such wonderful vendors and was a tremendous sucsess for so many people. Thanks again to everyone who stopped by especially to those who bought some original art from me (my alien and one of my nudes now have a special place in someone's home)! For those of you interested, the next show will be the Royal Bison Arts and Crafts Fair on Dec 1 - 2 (I'll update you on location and times later).

Thank you, thank you, thank you!!!
-xoxo crystal

Monday, November 12, 2007

See me in person (this weekend)



I'll be at this years Stop & Shop with local illustrator & graphic designer Sarah Jackson and local illustrator, graphic designer & crafter Michelle McBride/aka Miss Dishy. It'd be a great place to get some handmade Christmas presents. Buy handmade, buy local and help out our environment (and keep our city unique by supporting local business!)

STOP & SHOP
TRANS ALTA ARTS BARN (10330 84ave, Edmonton AB, Canada)
$5 at the door
NOVEMBER 16 - 18
Friday 5pm - 9pm
Saturday 11am - 7pm
Sunday 11am - 5pm


NEW THINGS!
• New print available of my "Alien" Painting for only $15
• Selection of Originals (not available during the summmer markets)
• Three new bookmark designs
• Calendars

Sunday, November 11, 2007

Robot Angel (In Progress)



This is for a demo I'm going to do in class this Thursday (it's an illustration techniques class, college level). I'm going to be talking about mixed media including Holli Conger's junkadoodles (see her junkadoodles samples here), collage & collage artists, 3D illustrators (such as Red Nose Studio and other artists that use clay, paper maché and models).... i've been looking forward to this lecture for quite some time because it's still new to me and so very very exciting!

Thursday, November 08, 2007

Mr. Bateman how do you do?



Tonight I met the legendary wildlife conservationist and fine artist, Robert Bateman. He told my sister and I a story about being in a canoe when a caribou swam right up to it... if you meet me in person I'll give you the rest of the details (it's one worth hearing for sure). Not having enough money to buy a print (sigh) I instead got him to sign my sketchbook. He flipped through it and to my utter amazement says he really likes my cross hatching! Made my day ten million times over. Thanks Mr. Bateman... another childhood dream comes to reality.

Wednesday, November 07, 2007

Part Time Workin'


Well I'm back at the museum part time (the Royal Alberta Museum) helping out the old team with some graphics... and a little illustration. When they asked me to do a giant cheque to give to the museum school in the shape of a bus I added a little flare (the animals are all from the Wild Alberta Gallery, a permanent feature in the museum and the driver, Moe, is the museum's logo and mascot!). Enjoy.

Monday, November 05, 2007

Illustration Friday: Hats

This painting was completed earlier this year as a way to practice my technique on plywood. I have enjoyed selling quite a few prints of it at my local market.

Creatures of Silly:

Monday, October 29, 2007

St. Albert Christmas Market

I will be selling prints, cards and more at the St. Albert Christmas Market this weekend (located at the St. Albert Inn) with miss dishy.

Nov 2-4
FRIDAY: 4pm-9pm
SAT & SUN: 10am - 4pm

Pumpkin Junkin



This weekend I junked my pumpkin. See contest and entries here.

Thursday, October 25, 2007

Paper Quilt Project


Paper Quilt Project, originally uploaded by crystal driedger.

I feel so fortunte to have been a part of
the paper quilt project this October. It's my first real attempt at a collage (darn! Wish I had documented the progress) and think I did alright considering I couldn't pick out the patterns myself.

The project worked as follows: You get a bunch of scrap pieces of (lovely) paper in the mail, have two weeks to develop a piece out of the scraps (without adding more of your own) in the theme: A day in my life. Send the package back within two weeks and then at the end of the year all artists involved will decide which charity they want the quilt to go to and they get auctioned off. I'll let you know which charity it is closer to the date!
See more samples from other artists here.

A day in my life:
As some of you may know, I've taken up knitting. Both my cat and I adore this new hobby of mine although I have to actually finish a single project yet (I keep tearing them out and restarting).

Figure Drawing


It's been nearly five months since I last went figure drawing
but with my sister in town it was great to make an excuse to go, soak in the talent of other local artists (& of course feel very, very humbled) and use some very lovely watercolor paper (sigh!). Yet with all this practicing of the human form I started wondering... why on earth do I make such an effort to go to figure drawing sessions and yet very rarely set up a still life to keep tabs on my perspective skills? I know there are so many challenges in perspective when drawing the human form but architecture and objects hold a different challenge (and can hold still for soooo much longer). You have more time to play with color & lighting and let's face it: still life "models" are practically free (just grab some things from your fridge, draw them then eat. Repeat!).

I have but a couple of days left with smaller projects before I start what I'm now calling a daunting November. I've just signed a contract to help the Royal Alberta Museum out for a month (part time graphic design work for their upcoming anniversary), will be teaching at college and have two large art/craft fairs to work. I've calculated and I've got five days off that month (which really means I have evenings and five weekend days to do my freelance work). This is a blessing as our family needs all the income we can get while my husband is in school but as for setting up still life paintings and going to life drawing sessions... it may be put on hold again!

Wednesday, October 24, 2007

What is stylization?

I've been planning for my upcoming classes and wanted to know how my readers would define stylization or personal style. As stylization is a fantastic illustration technique (my class is called illustration techniques) I'd like to briefly touch on the subject.

So! Have any of you found sticking to a specific style, engineering it and letting it grow to be helpful? Have you found a couple styles that you like to promote? Is it easier to have a broad range when you keep your illustrative efforts local?

Thanks for the comments!

Monday, October 22, 2007

Trying out a new art

My husband got me a photography club membership for my birthday and I can hardly wait to give this "new art" a fair shot. Lately I've been exploring different ways to use my artistic eyes and while so far illustration seems to be my strongest suit it has improved how I see the world already. Keeping yourself flexible and open to new compositions, techniques and abilities is healthy and above all fun. It keeps you refreshed and helps avoid that "creative block" that can happen when you work too much (which a fair chunk of us seem to do).

Here's a little taste of the photography we played with this weekend while in a local corn maze for my birthday (photography by my husband, lighting by my sister, model: Me!).

Saturday, October 20, 2007

Two Great Halloween Contests

Holli Conger has a great contest going on right now called Junk your Pumpkin and there's another contest by Penelope Dullaghan called Monster Mash that looks so good! I only wish I had the time to work on these projects (i did have time this week as it turns out but decided to take up knitting instead... silly me!)

Tuesday, October 16, 2007

Why Sketch?

My first sketchbooks rarely filled more than half of their pages before I gave up sketching, lost it (temporarily) or just plum stopped sketching for months (ahem, sometimes years) at a time. Even in college, when I was required to complete sketchbooks I did so as though it was a chore. Perhaps restricted subject matter was always something akin to completing a math problem instead of seeing it as the root for a great idea? These college notebooks, while interesting to see the amazing progress and changes I went through as an artist, are rather dull. Blackened by millions of pen strokes there were tea kettles, forks and even a wheel chair. I wondered why I didn't try to develop my style back then, why I only bothered with still lifes that were improperly set up? I rarely go a day without sketching since I quit my last full time job. I can't sit in front of the tv without at least holding it, getting ready for the next big idea. Is it that I'm no longer afraid to draw something that might be perceived as silly, just plain weird or be rejected/disliked... a target for someone's rotten eggs? I'm also starting to not care if my sketchbooks have thumbnails, wording, or the beginning trickle of a story.

But why sketch at all? Does it matter, really, if you take some of your "free time" to put pen to paper?

Sketching is so freeing. You don't ever have to show your sketchbook to anyone, you don't have to show your clients (well, unless you sketch your client work in your sketchbook I suppose), your mom & dad, your pet rabbit... although I've found that the more often I share my sketchbook the more I enjoy drawing in it and the more confident I get. Any compliment is another gentle push towards the goals I have set for my career.

Sketching is a release. I have to draw cute little things all day (which I love, don't get me wrong) but sometimes you just don't feel happy or energetic. Sometimes I feel mad as a hornet. A safe place to get this out can be in my sketchbook. I'll draw someone with a really big mouth yelling. Then I laugh at it because it looks dumb and can move on.

Above all, sketching is a record of your progress. I'd never sell my sketchbooks. They're far better than my diaries ever will be and worth way more. Maybe in the coming entries I'll post sketches from my very first sketch books just to give you an idea on where I've come from and where I am now.

Happy Sketching!




Halloween Witch, originally uploaded by crystal driedger.

Monday, October 15, 2007

Blog Action Day

Be Kind to the Environment and It will be Kind to you!

Today is "Blog Action Day" (oct 15th) which focuses on the environment. You'd think there isn't much we can do as illustrators (our business's tend to be small, often in our own homes or small studios) but there are many little things that can make a big impact on the environment if you add them up!

1) Use scrap pieces of paper for spot illustrations
2) Research the type of paper that you use (or your printer uses) for postcard promotions. We send out hundreds every year and with all of the illustrators out there this one is much bigger than we think.
3) Do junkadoodles (invented by Holli Conger) with left over garbage bits. OR! Right now junk a pumpkin instead of carving one this halloween (then you can still turn it into a good pumpkin soup)
4) Make sculptures using your old pencil stubs
5) Do crafts with your kids using old paints and "no longer usable" art supplies (kids don't care if things don't work just right)
6) Recycle old print-offs (ummm, obvious, no?)
7) Make gum portraits (gross...? Take a look at the link, it's really cool)
8) Use common sense. Recycle what you can, fix what you can before buying new junk and always question consumption!

Thursday, October 11, 2007

Happy Birthday Mom!

It is my mom's birthday this Friday so my sister and I decided to paint her two pictures with the following in common: Theme was sea/ocean and two colours had to be the same (to match her bathroom which is yellow with hints of purple).

Also, I finally updated my website

Mine:


My Sisters:

Thursday, October 04, 2007

New Calendar

I made a calendar for 2008 that features my artwork from this year. It was so much fun to make (I reccomend this as a promo or if you sell things at craft fairs). Click on the title of this blog to see each month's illustrations).

I'm taking orders for the calendar for Canadian residents (US residents may as well order the calendar via cafépress as it will get there faster + be the same price). Save $5 on the shipping if you order before OCT 16 at 4pm. That makes the calendar $20. If you order through me I will sign your copy! (Email me at artist@crystaldriedger.com with your address and preferred method of payment). Thanks!

Wednesday, October 03, 2007

Halloween Creatures

I made an invite to a party I'm hosting with some other people and can't help but share the illustrated part of it because the characters are too funny!

October Issue of Avenue Magazine

I picked up the latest copy of Avenue Magazine which features an illustration by yours truly. It's under the section called "The Last Word". This particular one is about a new family who doesn't buy enough candy for Halloween...

Very Last Summer Market

I'm oh so happy to report the very last summer market (it's been getting very chilly sitting in my stall in the early morning before the sun comes up). It's this Saturday on 104th Street (from Jasper ave to 103 ave) from 9am - 3pm. While it's been fun learning new crafting skills and meeting people at the market I'm in need of a break. I've been finding myself working 9-5 illustrating then from 5:30-11 doing crafty things while I watch TV before bed.

Here are some dates in which Michelle McBride (miss dishy) and I will be selling Christmas goodies (check back for exact times and for coupons):

NOV 2-4
Silvanna's in St. Albert (St. Albert Inn) TENTATIVE

NOV 16-18th
Stop & Shop (Tran Alta Arts Barn, 10330 - 84 Avenue) CONFIRMED

DEC 1-2
The Royal Bison (Cosmopolitan Music Society building, 8426 Gateway Blvd) CONFIRMED

Meanwhile if you're interested in buying things but can't make it out to these dates feel free to visit my etsy shop which is constantly updated with new items!
http://www.etsy.com/shop.php?user_id=5069714

Tuesday, October 02, 2007

Work In Progress

Remember that carnival sketch I posted a couple weeks ago? (Scroll down to the purple sketch) This is a work in progress as I have/make time for it during my increasingly busy schedule (I must paint more children for my portfolio type of project)

Well, I've been revamping and painting... take a look at the progress here:



Monday, October 01, 2007

October Snowmen

It seems that my farmers market adventures might finally be paying off. I'm starting to take on a bit more fine art projects which have come from meeting the people who shop the market. This is all so very exciting!

I'm due to work some pretty big christmas shows (three day long events that occur in November) in which I hope to do a little advertising for my illustration business, sell some art and prints and meet some new people. I've been working on painting up bits of wood with snowmen to sell at the shows. Here's what I created this weekend:

"Danny" A snowmen on a stick (pole says "Let it Snow") pole measures 22.5x1.75x0.75". Snowman painting measures 5x8x0.75"



"Together" Another snowman on a stick (same measurements as above)Pole says "Merry Christmas"


Saucy Smoker 7x7x0.75"



Andy Snowman 15.5x5x1"

Friday, September 28, 2007

Creating that "Great Idea"

There are many steps to coming up with great work and having a wonderful and creative idea. I know that sometimes it seems that creative professionals can pull ideas out of hats as easily as a magician and sometimes ideas do come rather quickly but there are crucial guidelines one should stick to when trying to meet a clients needs. As an illustrator or designer you should always allow some time to reasearch a client's target market and buisness needs. A great idea might only be great for you or to satisfy some artistic craving you are waiting to fill but how does this help out the people who have put their trust in you? So, what should you research to ensure that you are coming up with something fabulous that will actually help your client get what he/she needs?

Here's a little list of things to research when you get a new client:

Who is your client? What exactly do they do?
(Sometimes this is rather easy while other times I've had clients where I've had to look up the meaning of their profession in the dictionary before starting, rather daunting!)
Why did your client hire you?
(Exactly what needs arose for them to hire you in the first place? Are they looking to gain more clients in a juvenile audience? Do they always hire illustrators because it's worked for them year after year? Does illustration give them a personal touch or edge?)
So to narrow this down a bit:
What is their target audience?
(And are they trying to broaden their scope using you?)
Who are their competitors?
(And what are they doing to promote themselves/using on their products? Say you're doing illustrations for a package on a new doll. Take a look at Barbie. Why is she so sucsessful? What sets her apart from what your client wants?)
Think about the target audience: What else are the clients buying?
(Think back to the barbie situation: These children also wanted to buy Dora books, big thick chunky jewelry filled with purple and pink and love bright coloured candy)
What is the client wanting to evoke in their clients?
(Are they wanting to make the clients feel a certain way when they use the product/read the artical/look at an ad/packaging?)


Take time to research images & colours. Find out what is appealing to the target audience. If you know nothing about 8 year old girls hang out for a bit in the Disney Store then head over to Zellars to get a broad scope of what exactly your client is doing and desiring. Go to the library and read to children of this age. What are the parents like in this situation? Are parents consistently turning down certain products that children like? Sometimes it's just as important to take into consideration things like this as the true client is the adult.

With this said, illustration shouldn't always be about fitting into a market. If your client wants to break new ground take a look at what's out there anyway so you'll know who's creating new ideas, what makes their work innovative and how you can allow your own work to evolve (but remember, a client is the main thing that separates fine art from illustration so always always keep them in mind). Sketch... Alot! Don't show a client all of your sketches (unless they have requested this as it can become a buffet of ideas in which a client will want to take pieces of each idea and merge them. This will result in a bloated and ugly stomach where nothing get's noticed for it's flavour). Pick out the best couple of sketches (or just one!) based on your research and tell the client why you picked what you did. Explain the choice of colour, the composition, the arrangement of elements. Let your client in on your process, let them know how long each phases is and ask them questions. Don't be afraid to ask your clients questions about their business (clients adore talking about their business and it shows you care and want to do a good job for them). Meet them in person as often as you can. Look them in the eye when they talk. Take notes. See how they react to your ideas. If you didn't get a concept right the first time find out why it's not working. Maybe go back and explain why you did something a certain way.

In many ways finding a good idea is just the result of narrowing down the extra large field of "I can do anything I want!" which is so daunting. Following the above guidelines can take lots of the pressure off of you to create a masterpiece from nothing.

Good luck and happy creating!

Thursday, September 27, 2007

One Brown Cow

This is the first complete image in a new children's picture book I'm working on with local author Patricia Gitersos. It's a very sweet story about a little brown cow who does odd and wonderful things. Focusing on a signature colour each page (this time the red boat) other colours will be a little more muted and soft. It's my first assignment in watercolour.